Warwick 5 String Bass Guitar Neck Profile: Why Shape Matters

When it comes to 5 string bass guitars, the conversation often drifts towards string spacing and scale length. However, a recent discussion among bass players highlights another crucial aspect: the neck profile, particularly on instruments like a Warwick 5 String Bass Guitar. One player, reflecting on their experience with different basses, pointed out some key differences in neck feel, specifically comparing Warwick, Spector, and EBMM (Ernie Ball Music Man) basses.

The central point of the discussion revolves around the fingerboard radius and the overall shape of the neck. While Spector basses are described as having a gently radiused fingerboard, similar to an EBMM 5 string, Warwick basses are noted for their significantly flatter fingerboards, especially on 5 and 6 string models. This flatness, combined with the neck’s cross-section, seems to contribute to a distinct feeling.

The player described the Warwick neck as creating a sensation of “reaching around it,” requiring a “double bend” in the hand at both the wrist and fingers. This feeling is attributed to the neck profile shape, which is characterized as feeling like a “big box with well-rounded corners.” Despite the rounded edges, the perceived size of the Warwick neck profile makes it feel obtrusive, particularly when compared to the more “insignificant something” feel of a Spector neck or the “somewhat significant but not obtrusive” feel of an EBMM neck.

This “reach around” sensation becomes more pronounced when navigating the tighter string spacing of a 5 string bass. While the player enjoys meatier 4-string necks, the wider, flatter profile of the Warwick 5 string neck seems to interfere with finger dexterity and muscle memory when playing across the strings.

Interestingly, there’s a mention of Warwick potentially adopting a new neck profile in their standard specifications. However, details on this new profile remain unclear. For players accustomed to vintage instruments or those who prefer the feel of older Warwick basses, this potential change might be noteworthy.

Ultimately, the discussion underscores that while fingerboard radius plays a role, the overall neck profile shape is a critical factor in bass playing comfort and feel. The subjective experience of the player highlights how different neck profiles, like that of a Warwick 5 string bass guitar, can significantly impact playability and personal preference. For bassists choosing a 5 string, considering not just string spacing but also the neck profile shape is essential for finding an instrument that truly feels like an extension of their hands.

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