100. The Doors – “Roadhouse Blues”
During The Doors’ reign, guitarist Robby Krieger often played with restraint, fitting his style to the band’s signature simplistic yet atmospheric sound. However, “Roadhouse Blues” offered Krieger a chance to unleash his guitar prowess. This track is a boogie-rock explosion, punctuated by a raw and energetic solo that is pure, unadulterated Krieger. It’s a testament to his versatility and a reminder that even within the enigmatic Doors, there was space for some good old-fashioned guitar heroics.
99. Tom Petty and the Heartbreakers – “Breakdown”
Mike Campbell’s guitar work was often the secret weapon in Tom Petty and the Heartbreakers’ arsenal. While Petty’s songwriting and vocals took center stage, Campbell’s guitar parts were the glue, adding depth and finesse to their sound. “Breakdown,” their debut single, is a perfect example. Campbell’s solo, arriving just after the two-minute mark, is a masterclass in melodic phrasing and tasteful execution. It’s concise, impactful, and perfectly serves the song, showcasing his ability to elevate a track without overpowering it.
98. Ricky Nelson – “It’s Up To You”
Ricky Nelson rose to fame as a teen idol in the 1950s, embodying the clean-cut image of early rock and roll. But beneath the surface, Nelson was a genuine music innovator, and a key part of his sound was the guitar work of James Burton. On “It’s Up To You,” Burton’s playing is the backbone of the song, providing the infectious riffs and licks that propelled it into the Top 10. Burton’s signature “chicken pickin'” style is evident, adding a distinct country-rock flavor to Nelson’s pop sensibilities and demonstrating why he became one of the most sought-after guitarists in history.
97. R.E.M. – “The One I Love”
“The One I Love” by R.E.M. became a staple in the “Guitar Hero” video game series, and for good reason. Peter Buck’s guitar work on this 1987 hit is deceptively simple yet incredibly clever. The main riff is instantly recognizable and undeniably catchy, built around arpeggiated chords and a driving rhythm. Buck’s minimalist approach is a hallmark of R.E.M.’s sound, proving that you don’t need flashy solos to create a truly memorable and impactful guitar song.
96. U2 – “Mysterious Ways”
The Edge’s guitar sound is instantly identifiable, a crucial element of U2’s sonic identity. “Mysterious Ways” is a prime example of his innovative approach to guitar textures. The song’s genesis lies in The Edge experimenting with a Korg A3 effects unit. This exploration led to the song’s distinctive, funky, and infectious chorus riff. Live performances of “Mysterious Ways” are legendary, with the opening guitar riff guaranteed to ignite any crowd, showcasing The Edge’s mastery of effects and rhythmic playing.
95. The Clash – “Should I Stay or Should I Go”
The Clash were pioneers of punk rock, known for their raw energy and politically charged lyrics. However, Mick Jones’ guitar riff on “Should I Stay or Should I Go” transcends punk boundaries, venturing into arena rock territory with its swagger and power. The riff is simple but massive, driving the song forward with an irresistible force. It’s a testament to Jones’ ability to craft memorable hooks and demonstrates the Clash’s surprising versatility beyond their punk roots.
94. Bo Diddley – “Bo Diddley”
Bo Diddley’s self-titled 1955 track is more than just a song; it’s a sonic trademark and a foundational piece of rock and roll history. The song’s rhythm, the iconic “Bo Diddley beat,” became hugely influential across genres. But beyond the rhythm, Diddley’s precise and rhythmic guitar playing is equally crucial. His unique approach, often using tremolo and unconventional tunings, pushed the boundaries of rhythm and blues guitar, paving the way for countless artists who followed.
93. Faces – “Stay With Me”
“Stay With Me” by Faces is a quintessential rock anthem, a showcase of the band’s collective chemistry and individual talents. While each member shines, Ronnie Wood’s guitar work on both electric and slide guitars is the undeniable highlight. His raunchy, blues-infused playing perfectly captures the song’s loose and rowdy spirit. Wood’s slide guitar adds a layer of soulful grit, elevating the track and making it a timeless rock and roll party starter.
92. Joan Jett and the Blackhearts – “I Love Rock ‘n Roll”
Joan Jett transformed the original recording of “I Love Rock ‘n Roll” into a powerful and enduring anthem. Her version is stripped down, raw, and undeniably catchy, built around a simple but massive guitar riff. The song’s chart-topping success solidified Jett’s status as a female guitar hero in a male-dominated world. “I Love Rock ‘n Roll” is a testament to the power of a killer riff and Jett’s unwavering rock and roll attitude.
91. Yes – “I’ve Seen All Good People”
Steve Howe, the guitarist for Yes, is known for his virtuosity and eclectic style. While he has numerous standout guitar moments in Yes’s catalog (“Starship Trooper,” “Roundabout”), “I’ve Seen All Good People” uniquely highlights his diverse influences. The song’s “Your Move” section showcases Howe’s country and folk sensibilities, blending acoustic textures with intricate electric guitar lines in a stunningly beautiful and innovative way. It’s a testament to his musical breadth and his ability to seamlessly integrate diverse styles into progressive rock.
90. Carl Perkins – “Blue Suede Shoes”
While Elvis Presley’s version of “Blue Suede Shoes” is more widely known, Carl Perkins’ original recording on Sun Records is the definitive guitar version. Perkins’ energetic performance on his Les Paul guitar is what truly established the song and helped solidify Sun Records’ early success. His raw, driving guitar work is the essence of early rockabilly, full of energy, twang, and infectious rhythm, demonstrating the foundational power of guitar in the birth of rock and roll.
89. The Police – “Message in a Bottle”
Andy Summers, the guitarist for The Police, initially conceived the iconic riff for “Message in a Bottle” for a different song. However, its slightly modified form became the centerpiece of one of The Police’s most recognizable and enduring hits. The riff is a masterclass in economy and effectiveness, built around a simple but unforgettable melodic figure. Summers’ use of chorus and delay adds depth and texture, creating the song’s signature shimmering sound and demonstrating his innovative approach to guitar effects.
88. The Ventures – “Walk, Don’t Run”
Chet Atkins first adapted Johnny Smith’s jazz instrumental “Walk, Don’t Run.” But The Ventures took the song and ran with it, creating one of the greatest and most influential surf rock instrumentals of all time. The Ventures’ version is characterized by its clean, twangy guitars, driving rhythm, and instantly recognizable melody. It became a blueprint for surf rock guitar and influenced countless instrumental bands, solidifying its place as a cornerstone of guitar music.
87. Buddy Guy – “Stone Crazy!”
Buddy Guy’s “Stone Crazy!” emerged in 1979, well past the blues’ traditional golden era. However, Guy’s commitment to playing electrifying blues never wavered. “Stone Crazy!” is a blistering display of his guitar virtuosity, full of raw emotion, dynamic phrasing, and his signature Stratocaster tone. It’s a powerful reminder of Guy’s enduring talent and his ability to keep the blues vital and relevant for new generations.
86. Bruce Springsteen – “Adam Raised A Cain”
Bruce Springsteen’s guitar playing often takes a backseat to his songwriting and storytelling. However, that doesn’t mean he can’t wield a guitar with force and passion. “Adam Raised A Cain,” from “Darkness on the Edge of Town,” is a track where Springsteen truly unleashes his guitar. The song is raw and intense, with Springsteen’s guitar work mirroring the lyrical themes of anger and family legacy. It’s a powerful example of his often-understated guitar skills and his ability to use the instrument to amplify the emotional weight of his songs.
85. Bon Jovi – “Wanted Dead or Alive”
Bon Jovi is synonymous with arena-ready party rock, but “Wanted Dead or Alive” stands apart. This track highlights the songwriting partnership of Jon Bon Jovi and Richie Sambora, and especially Sambora’s guitar prowess. His iconic solo, played on a multi-necked 12-string guitar, is a defining moment of 80s rock balladry. It’s epic, melodic, and perfectly captures the song’s anthemic and slightly melancholic mood, showcasing Sambora’s ability to craft memorable guitar moments within a stadium rock context.
84. Heart – “Barracuda”
Heart, led by sisters Ann and Nancy Wilson, proved they could rock just as hard as their male counterparts. “Barracuda” is a testament to their hard-rocking credentials, particularly Nancy Wilson’s ferocious guitar riff. The guitar sound on “Barracuda” is aggressive and powerful, like a charging beast, perfectly matching the song’s themes of betrayal and female empowerment. It’s a landmark track for women in rock and a showcase of Nancy Wilson’s commanding guitar presence.
83. Red Hot Chili Peppers – “Can’t Stop”
When it comes to great guitar songs from the Red Hot Chili Peppers, John Frusciante is almost always the driving force. Widely considered one of the most gifted guitarists of his generation, Frusciante’s signature style is all over “Can’t Stop.” The song’s bouncy funk groove is built upon Frusciante’s inventive and rhythmic guitar work. His playing is both funky and melodic, demonstrating his ability to blend virtuosity with groove and contribute to the Chili Peppers’ unique sound.
82. Gene Vincent – “Race With the Devil”
Gene Vincent and His Blue Caps burst onto the scene in the 1950s with “Be-Bop-A-Lula.” While they never replicated that initial chart success, they released numerous songs that arguably surpassed it in quality, including “Race With the Devil.” This track is a prime example of rockabilly guitar at its finest, especially for its time. The guitar work is fast, furious, and full of energy, showcasing the raw and exciting sound of early rock and roll guitar.
81. Muddy Waters – “Rollin’ Stone”
Muddy Waters’ “Rollin’ Stone” is a blues classic of immense historical significance. Its impact is so profound that it reportedly inspired the names of both Rolling Stone magazine and the band the Rolling Stones. Beyond its cultural influence, the song itself is a masterpiece of electric blues. Waters’ slide guitar playing is raw, expressive, and deeply soulful, defining the Chicago blues sound and influencing generations of guitarists across genres.
80. ZZ Top – “Sharp Dressed Man”
The opening riff of “Sharp Dressed Man” by ZZ Top is instantly recognizable and utterly inescapable. It’s the backbone of their mega-selling album “Eliminator.” While the song might seem simple on the surface, Billy Gibbons’ guitar work is anything but. His solo kicks things into high gear, showcasing his signature blend of bluesy licks, pinch harmonics, and Texas swagger, making it one of his most memorable solos ever.
79. Eddie Cochran – “Summertime Blues”
Eddie Cochran’s “Summertime Blues” is a perfectly constructed rock and roll anthem. Its brilliance is evident in its enduring appeal, becoming a hit for The Who and Brian Setzer, and a live staple for Jimi Hendrix. The song’s simple yet powerful guitar riff and Cochran’s energetic vocal delivery make it a timeless classic, showcasing the raw energy and rebellious spirit of early rock and roll.
78. Rolling Stones – “Jumpin’ Jack Flash”
Keith Richards, the legendary guitarist of the Rolling Stones, was a master of guitar intros. And few are better than the iconic opening of “Jumpin’ Jack Flash.” Richards achieved this signature sound by playing a Gibson Hummingbird six-string tuned to open D. The raw, bluesy riff is instantly recognizable and undeniably infectious, perfectly setting the stage for this classic Stones rocker and highlighting Richards’ genius for crafting simple yet powerful guitar hooks.
77. David Bowie – “The Width of a Circle”
David Bowie’s musical partnership with guitarist Mick Ronson was a defining element of his most creatively fertile period. Ronson’s guitar work on “The Width of a Circle” is a perfect example of their symbiotic relationship. The song stretches over eight minutes, with Ronson’s guitar remaining the central focus throughout. His playing ranges from traditional rock and roll to proto-heavy metal, demonstrating his versatility and his ability to match Bowie’s theatrical and musically adventurous vision.
76. The Beatles – “The End”
“The End” is often hailed as The Beatles’ greatest guitar moment, largely because it features an unprecedented two minutes of John Lennon, Paul McCartney, and George Harrison trading epic guitar solos. This instrumental section is a joyous and celebratory culmination of their musical journey, with each Beatle bringing their distinct guitar style to the table. It’s a fittingly grand finale to their studio recordings and a testament to their collective guitar prowess.
75. Rush – “La Villa Strangiato”
“La Villa Strangiato” by Rush is an instrumental epic that pushes the boundaries of rock guitar. Spanning over nine and a half minutes, the song is a showcase for Alex Lifeson’s extraordinary guitar skills and sonic experimentation. Inspired by a dream Lifeson had, the song is a musical journey through various moods and textures, demonstrating his mastery of different guitar techniques and sounds. It’s a testament to Rush’s progressive rock ambition and Lifeson’s virtuosic and imaginative guitar playing.
74. Albert King – “Born Under a Bad Sign”
Albert King’s soulful blues track “Born Under a Bad Sign” became his most popular song, especially among other musicians. Its appeal lies in its infectious groove and, crucially, its distinctive guitar harmonies. These harmonies, created by King’s signature “bent” notes and soulful phrasing, lend themselves perfectly to rock and roll interpretations. It’s a testament to King’s unique blues style and his ability to create guitar parts that are both technically impressive and deeply emotionally resonant.
73. Neil Young – “Hey Hey My My (Into the Black)”
“Hey Hey My My (Into the Black)” is the electric, hard-rocking version of Neil Young’s song (distinct from the acoustic “Out of the Blue” version). It revitalized Young’s career and is considered a precursor to grunge music. While tragically known for its lyrics being included in Kurt Cobain’s suicide note, the song’s musical impact is undeniable. Young’s raw, distorted guitar sound and powerful riff are quintessential grunge, showcasing his enduring influence on generations of rock guitarists.
72. Curtis Mayfield – “Move On Up”
Outside of James Brown’s band, no one did more to showcase the art of funk guitar than Curtis Mayfield. “Move On Up,” with its album version stretching over nine minutes, was Mayfield’s definitive statement after leaving The Impressions. The song is driven by Mayfield’s incredibly rhythmic and percussive guitar playing, creating a groove that is both funky and uplifting. It’s a masterclass in funk guitar and a testament to Mayfield’s innovative and influential style.
71. Chuck Berry – “Maybellene”
Many consider Chuck Berry’s “Maybellene” to be the first true rock and roll song. It certainly marks the arrival of the modern rock guitar. Berry’s guitar playing on “Maybellene” is energetic, rhythmic, and full of personality. His signature double-stops and duckwalk became iconic, and the song’s driving rhythm and catchy guitar lines laid the foundation for countless rock and roll songs that followed.
70. The Byrds – “Eight Miles High”
For anyone who doubts John Coltrane’s influence on rock and roll, The Byrds’ classic “Eight Miles High” provides compelling evidence. The song is heavily influenced by Coltrane’s free-form jazz style. It also draws from Ravi Shankar, with Jim McGuinn’s memorable guitar work mimicking the sound of a sitar. McGuinn’s 12-string Rickenbacker guitar creates a shimmering, psychedelic soundscape, pushing the boundaries of rock guitar and demonstrating the cross-pollination of genres in the 1960s.
69. Beastie Boys – “Sabotage”
Ad-Rock’s guitar playing on Beastie Boys’ “Sabotage,” paired with distorted bass riffs, isn’t about technical virtuosity. It’s about raw, unadulterated sonic attack. The guitar is a pure onslaught of distortion and energy, perfectly capturing the song’s rebellious and aggressive spirit. “Sabotage” and its iconic music video marked the Beastie Boys’ transition into a more alt-rock style in the mid-1990s, with guitar becoming a more prominent element of their sound.
68. Grateful Dead – “Slipknot!”
“Slipknot!” by the Grateful Dead, often performed as part of a medley with “Help on the Way,” is a mind-blowing instrumental that evolved and transformed in live settings. Separated on its own, it’s a showcase of Jerry Garcia’s often-underrated guitar playing. The song highlights Garcia’s improvisational genius, his fluid phrasing, and his ability to weave intricate and mesmerizing guitar lines. “Slipknot!” demonstrates the improvisational heart of the Grateful Dead and Garcia’s unique guitar voice.
67. The Isley Brothers – “Summer Breeze”
Seals and Crofts originally wrote and recorded “Summer Breeze.” But The Isley Brothers’ version infused the song with soulful funk and Ernie Isley’s mesmerizing guitar solo. Isley’s solo is smooth, melodic, and full of feeling, transforming the mellow folk-rock original into a soulful and sensual groove. His guitar work elevates the song, making it a standout track and showcasing his distinctive and often-underappreciated guitar style.
66. The Allman Brothers Band – “Jessica”
The Allman Brothers Band persevered and continued to create incredible music after the tragic loss of Duane Allman. “Jessica,” composed by guitarist Dickey Betts, remains one of their finest instrumental compositions. It’s a fantastic showcase for Betts’ melodic guitar playing. Legend has it that Betts played the song with just two fingers on his left hand as a tribute to gypsy jazz guitarist Django Reinhardt. “Jessica” is a joyful and uplifting instrumental, highlighting the Allman Brothers’ signature twin-guitar harmonies and Betts’ lyrical guitar style.
65. Freddie King – “Hideaway”
Many blues musicians have played “Hideaway.” But Freddie King’s version is definitive, turning the instrumental into a pop chart hit. King’s rendition is characterized by his powerful tone, dynamic phrasing, and signature vibrato. He makes the instrumental his own, imbuing it with his raw energy and bluesy swagger. “Hideaway” is a testament to King’s instrumental prowess and his ability to bridge blues and rock audiences.
64. Sam and Dave – “Soul Man”
Sam and Dave were fortunate to be backed by the legendary session musicians Booker T. & the M.G.’s. On “Soul Man,” when you hear the line “Play it, Steve,” it’s a direct shout-out to guitarist Steve Cropper. Cropper’s guitar playing on “Soul Man” is flawless, delivering iconic, funky licks that perfectly complement Sam and Dave’s vocals and the song’s soulful groove. His understated but essential guitar work is a cornerstone of the Stax Records sound and a masterclass in rhythm guitar playing.
63. Ramones – “Blitzkrieg Bop”
Johnny Ramone’s barre chord style is one of the most instantly recognizable guitar sounds in music history. It’s the foundation for the Ramones’ best songs, including the punk rock anthem “Blitzkrieg Bop.” The song is built around a simple, driving, and incredibly effective guitar riff. “Blitzkrieg Bop” cemented Johnny Ramone’s status as arguably the greatest punk rock guitarist of all time, demonstrating the power of simplicity and raw energy in guitar playing.
62. The Paul Butterfield Blues Band – “East-West”
The Paul Butterfield Blues Band’s sophomore album “East-West” is a landmark showcase for the guitar skills of Mike Bloomfield. Bloomfield, an incredibly influential guitarist who worked with legends like Muddy Waters and Bob Dylan, was at his most expansive and creative on “East-West.” The title track, “East-West,” is an epic instrumental jam, showcasing Bloomfield’s virtuosic Chicago blues style, his improvisational skills, and his ability to blend blues with jazz and Eastern influences.
61. The Yardbirds – “Heart Full of Soul”
After Eric Clapton’s departure, The Yardbirds began to experiment more, particularly with guitarist Jeff Beck. “Heart Full of Soul” is a perfect example of this experimentation. Beck’s guitar work on the track is groundbreaking, seamlessly blending traditional blues licks with fuzz and feedback. He creates a unique and innovative sound, pushing the boundaries of blues-rock guitar and foreshadowing his future groundbreaking solo career.
60. Red Hot Chili Peppers – “Under the Bridge”
“Under the Bridge” is arguably the Red Hot Chili Peppers’ greatest song, and John Frusciante’s iconic intro is a major part of its appeal. However, the song’s immense popularity became a double-edged sword for Frusciante. His beautiful and melancholic guitar intro and overall playing on the track contributed to its massive success, but the fame that followed led to his departure from the band, as he desired a life outside of the spotlight. “Under the Bridge” showcases Frusciante’s ability to create emotionally resonant and unforgettable guitar parts.
59. T-Bone Walker – “Call It A Stormy Monday”
Often simply referred to as “Stormy Monday,” T-Bone Walker’s 1947 classic is one of the most important blues recordings of all time. Its influence is vast, shaping the styles of B.B. King, Bobby “Blue” Bland, Albert King, and countless others. Walker’s sophisticated guitar playing, blending blues with jazz and swing influences, is groundbreaking for its time. “Stormy Monday” is a cornerstone of blues guitar and a testament to Walker’s pioneering role in shaping the genre.
58. The Velvet Underground – “Sister Ray”
There’s nothing conventionally beautiful or polished about Sterling Morrison’s guitar playing on The Velvet Underground’s “Sister Ray.” But that’s precisely the point. Morrison’s raw, dissonant, and droning guitar sound is integral to The Velvet Underground’s avant-garde and experimental aesthetic. His playing on “Sister Ray” is deliberately abrasive and unconventional, contributing to the song’s dark and hypnotic atmosphere and defining the sound of avant-garde rock.
57. Black Sabbath – “Iron Man”
Ozzy Osbourne’s haunting vocals are instantly recognizable on Black Sabbath’s “Iron Man.” But the song’s true power comes from Tony Iommi’s colossal guitar riff. This riff is one of the most iconic sounds in heavy metal history, instantly recognizable and undeniably powerful. Iommi’s down-tuned, heavy riffing style on “Iron Man” is a foundational element of heavy metal, solidifying his status as a genre pioneer and guitar legend.
56. John Lee Hooker – “Boom Boom”
So many artists have covered “Boom Boom” that it’s easy to forget John Lee Hooker’s original. But that would be a mistake. Hooker’s original recording is a wonder in itself, enhanced by the backing of Motown’s legendary session musicians, the Funk Brothers. Hooker’s signature boogie rhythm and hypnotic guitar riff are the driving force of “Boom Boom.” The Funk Brothers’ tight and funky backing elevates the track, creating a unique blend of blues and Motown groove and showcasing Hooker’s enduring appeal.
55. Fleetwood Mac – “Albatross”
“Albatross” is often overlooked when discussing Fleetwood Mac’s greatest songs, perhaps because it’s an instrumental and predates their mainstream success. However, it’s a highlight of Peter Green’s time with the band and a key reason why other blues musicians hold him in such high regard. Green’s guitar playing on “Albatross” is ethereal and atmospheric, creating a dreamy and melancholic soundscape. His tone is warm and sustained, and his melodic phrasing is both beautiful and haunting, making “Albatross” a masterpiece of instrumental guitar music.
54. U2 – “New Year’s Day”
The Edge goes all out on “New Year’s Day,” seamlessly switching between piano and electric guitar. His guitar work on the track is a defining element of U2’s sound. The song’s chiming, arpeggiated guitar riff is instantly recognizable and incredibly catchy. The Edge’s epic guitar solo is a live staple, showcasing his mastery of effects and his ability to create soaring and anthemic guitar parts that have resonated with audiences for decades.
53. Kiss – “Shock Me”
Kiss guitarist Ace Frehley wrote “Shock Me” after nearly being electrocuted during a Kiss tour. That raw energy is palpable in his playing, particularly in the song’s standout guitar solo. Widely considered the greatest solo of Frehley’s career, it takes over the song around the two-minute mark. The solo is full of energy, melodic phrasing, and Frehley’s signature “space ace” style, capturing the excitement and danger of rock and roll.
52. Les Paul – “How High the Moon”
“How High the Moon” was already a jazz standard since 1940. But Les Paul and Mary Ford’s 1951 recording transformed it and became legendary. It became one of Les Paul’s signature tunes, showcasing his groundbreaking multi-track recording techniques and his virtuosic guitar playing. Paul’s innovative use of overdubbing and his clean, precise guitar lines created a revolutionary sound for its time, paving the way for modern recording techniques and showcasing his guitar genius.
51. The Beatles – “Taxman”
While George Harrison wrote “Taxman,” you could argue that The Beatles’ greatest guitar moment on the track comes from Paul McCartney, who played lead guitar on the bouncy and satirical song. McCartney delivers a blistering and unexpected guitar solo. His playing is aggressive, distorted, and full of energy, contrasting with his typically melodic bass playing. It’s a surprising and impressive display of his guitar skills and a highlight of The Beatles’ sonic experimentation.
50. Frank Zappa – “Zoot Allures”
Frank Zappa may have recorded even more technically complex and intricate solos. But the instrumental title track to “Zoot Allures” encapsulates everything he was capable of as a uniquely gifted guitarist. “Zoot Allures” is a showcase of Zappa’s eclectic style, blending rock, jazz, and classical influences. His guitar playing is virtuosic, unpredictable, and full of humor and musicality, demonstrating his unparalleled creativity and mastery of the instrument.
49. Michael Jackson – “Beat It”
“Beat It” is arguably the biggest hit on this list, making its guitar riff and solo legendary. The story of Eddie Van Halen’s uncredited guest solo is now iconic. Van Halen’s blistering and instantly recognizable solo transformed “Beat It” into a rock-infused pop masterpiece. His energetic and technically dazzling playing is a highlight of his career and a testament to the power of guitar to cross genres and elevate a pop song to iconic status.
48. Santana – “Europa”
On “Europa,” Carlos Santana perfected the art of melody on the guitar. Using feedback and sustain, Santana creates a wordless, captivating tune. “Europa” is a showcase of Santana’s signature guitar style, characterized by its lyrical phrasing, warm tone, and use of sustain and feedback. It’s a testament to his ability to convey emotion and create captivating melodies solely through his guitar playing, proving why his band carries his name.
47. Rolling Stones – “Can’t You Hear Me Knocking”
Keith Richards’ guitar work on “Can’t You Hear Me Knocking” is arguably his coolest from a songwriting perspective. But Mick Taylor, who had just joined the Stones, arguably steals the show with an early extended solo. The song features both Richards’ signature raw riff and Taylor’s more fluid and bluesy soloing. It’s a showcase of the contrasting but complementary guitar styles within the Rolling Stones, demonstrating their musical depth and versatility.
46. Steely Dan – “Kid Charlemagne”
Steely Dan might not be considered the “coolest” rock band by everyone, but their musicianship is undeniable. “Kid Charlemagne” highlights this, shining a spotlight on jazz-fusion guitarist Larry Carlton. Carlton’s solo on “Kid Charlemagne” is a masterpiece of jazz-rock guitar playing. His phrasing is sophisticated, his tone is smooth, and his improvisational skills are on full display. The solo is so captivating that you never want it to end, showcasing Carlton’s exceptional talent and Steely Dan’s commitment to musical excellence.
45. ZZ Top – “La Grange”
ZZ Top achieved massive mainstream success in the 1980s. But nothing ever sounded as raw and rich as “La Grange,” the standout track from their 1973 album “Tres Hombres.” Billy Gibbons absolutely shines on his 1955 Fender Stratocaster, plugged straight into an amp with a stop tailpiece. “La Grange” is a quintessential ZZ Top boogie, driven by Gibbons’ dirty, blues-infused guitar riff and his signature Texas tone. It’s a raw and powerful track that captures the band’s early, more blues-rock oriented sound.
44. Prince and the Revolution – “Purple Rain”
“Purple Rain” isn’t just Prince’s greatest song; it’s one of the greatest rock ballads ever created. Prince’s guitar is present throughout the song, but in the second half, he elevates things to a level few guitarists have ever reached. His extended guitar solo in “Purple Rain” is a legendary display of emotion, virtuosity, and showmanship. It’s a cathartic and unforgettable moment, showcasing Prince’s unparalleled talent as a guitarist and performer.
43. Cream – “White Room”
Eric Clapton plays guitars in plural on “White Room.” The song’s heavy and layered feel comes from Clapton’s multi-tracked guitar parts. “White Room” is a showcase of Clapton’s versatility, blending blues-rock riffs with psychedelic textures and orchestral arrangements. The layered guitars create a rich and complex sonic tapestry, making it a challenging but rewarding song for aspiring guitarists to learn.
42. Aerosmith – “Walk This Way”
Joe Perry’s iconic guitar riff in “Walk This Way” would be legendary even without its subsequent use by Run-DMC. But its fusion with rap in the Run-DMC collaboration cemented its place in music history. Perry’s riff is instantly recognizable and undeniably catchy, driving the song forward with its infectious groove. “Walk This Way” is a landmark track for both rock and hip-hop, demonstrating the power of a great guitar riff to transcend genres and generations.
41. Funkadelic – “Maggot Brain”
The extended, ten-minute guitar solo by Eddie Hazel on the title track of Funkadelic’s landmark album “Maggot Brain” is nothing short of extraordinary. It transformed Hazel into a guitar legend. Hazel’s solo on “Maggot Brain” is a deeply emotional and psychedelic journey. It’s a raw, improvisational, and intensely personal performance, showcasing his unique and often-overlooked guitar genius.
40. Jeff Beck – “Beck’s Bolero”
“Beck’s Bolero,” Jeff Beck’s first solo track, is a powerful statement of a guitar legend embarking on his own experimental path. It’s an epic masterpiece and one of the greatest instrumental tracks in rock history. For the recording, Beck enlisted session musicians including Jimmy Page and John Paul Jones. But the star of the show is undoubtedly Beck himself. “Beck’s Bolero” showcases Beck’s innovative guitar techniques, his mastery of tone, and his ability to create dramatic and cinematic instrumental music.
39. The Jimi Hendrix Experience – “Purple Haze”
You could argue that “Purple Haze” is Jimi Hendrix’s best guitar track overall. It’s a perfect encapsulation of his genius, utilizing the distinctive blues chords and psychedelic flourishes that became his trademarks. “Purple Haze” is a whirlwind of innovation, from the opening riff to the psychedelic soloing. It’s a foundational track for psychedelic rock and a showcase of Hendrix’s groundbreaking guitar techniques and his unparalleled ability to create sonic landscapes.
38. Bill Haley and His Comets – “Rock Around the Clock”
The guitar parts on Bill Haley and His Comets’ hit “Rock Around the Clock” might seem subtle individually, but collectively they are groundbreaking. The song features a collaboration of guitarists Haley, Franny Beecher, Danny Cedrone, and steel guitarist Billy Williamson. Their combined guitar work is a cornerstone of early rock and roll, blending rhythm and lead lines to create a driving and infectious sound. “Rock Around the Clock” is a landmark track in the history of rock guitar, showcasing the collaborative and innovative spirit of early rock and roll musicians.
37. Black Sabbath – “Paranoid”
It’s been said that the foundation for heavy metal was built on the hands of Tony Iommi. He solidified this claim with Black Sabbath’s second album and the guitar masterpiece “Paranoid.” “Paranoid” is a metal track with pop sensibilities, driven by Iommi’s iconic and instantly recognizable riff. The song’s fuzz effect and driving rhythm are hallmarks of early heavy metal, and Iommi’s guitar work is both powerful and melodic, demonstrating his mastery of the genre.
36. Van Halen – “Hot for Teacher”
“Hot for Teacher” opens with Alex Van Halen’s astonishing double bass drum intro. But it’s not long before Eddie Van Halen’s blistering guitar takes over. Neither ever lets up throughout one of Van Halen’s signature tracks. “Hot for Teacher” is a showcase of Van Halen’s virtuosity and energy. Eddie’s guitar playing is explosive, full of tapping, dive bombs, and lightning-fast runs. It’s a high-octane display of guitar pyrotechnics and a testament to Van Halen’s revolutionary guitar style.
35. AC/DC – “Back in Black”
There’s not much to say after hearing the opening riff of AC/DC’s “Back in Black.” Angus Young clearly understands the power of the riff he created, playing it with restraint before unleashing his full power at the song’s conclusion. The “Back in Black” riff is a masterclass in simplicity and effectiveness, instantly recognizable and undeniably powerful. Angus Young’s guitar playing is raw, energetic, and full of blues-rock swagger, making “Back in Black” a timeless rock anthem.
34. Elvis Presley – “Hound Dog”
Elvis Presley’s version of “Hound Dog” became an essential part of rock history, not just because of Elvis’s performance. What he had that others didn’t was guitarist Scotty Moore, arguably the greatest session player of his era. Moore’s modern take on the guitar was the real force behind one of the greatest songs in rock history. Scotty Moore’s guitar playing on “Hound Dog” is revolutionary for its time. His clean, twangy tone, inventive fills, and melodic soloing were groundbreaking in early rock and roll. He helped define the sound of rockabilly guitar and influenced countless guitarists who followed.
33. The Allman Brothers Band – “Whipping Post”
The studio version of “Whipping Post” is fantastic. But it’s merely a prelude to what happened live on stage. In live performances, “Whipping Post” became a 20+ minute jam vehicle for Duane Allman and Dickey Betts’ dual guitars. The live version of “Whipping Post” is a legendary showcase of the Allman Brothers Band’s improvisational prowess and twin-guitar harmonies. Duane Allman’s slide guitar playing is furious and expressive, while Dickey Betts’ rhythm playing is solid and melodic. Their interplay is magical, making “Whipping Post” a cornerstone of Southern rock guitar.
32. The Who – “Won’t Get Fooled Again”
“Won’t Get Fooled Again” is arguably the greatest album-closing track of all time, epic in scope and flawless in execution. Pete Townshend’s guitar is the clear driving force. His innovative recording technique of feeding his guitar through a volume pedal and into an amp became a blueprint for The Who’s future work. Townshend’s guitar playing on “Won’t Get Fooled Again” is powerful, dynamic, and innovative. His use of volume swells and feedback, combined with his signature power chords, creates a massive and unforgettable sound.
31. Pearl Jam – “Alive”
You could choose almost any song from Pearl Jam’s debut album “Ten” and find an indisputably great guitar track. But “Alive” feels particularly special. Guitarist Mike McCready took multiple attempts at the massive solo, finally nailing the final version in one take. Mike McCready’s guitar solo on “Alive” is a defining moment of 90s rock guitar. It’s emotional, soaring, and full of blues-rock influences. His passionate playing and dynamic phrasing make “Alive” a highlight of Pearl Jam’s catalog and a showcase of McCready’s guitar talent.
30. Stevie Ray Vaughan and Double Trouble – “Pride and Joy”
Everything on Stevie Ray Vaughan’s “Texas Flood” album is an example of brilliant guitar playing. But “Pride and Joy” is Texas blues at its finest, even with Vaughan tuning his guitar down slightly to give the song a thicker sound. “Pride and Joy” is a quintessential Stevie Ray Vaughan track, showcasing his fiery blues guitar style. His fast, intricate licks, powerful bends, and soulful phrasing are all on full display. It’s a celebration of Texas blues guitar and a testament to Vaughan’s virtuosity.
29. Metallica – “Master of Puppets”
The opening guitar riff of Metallica’s “Master of Puppets” is so devastating that you might expect the song to collapse under its own weight. Instead, it builds and builds, becoming one of the greatest heavy metal songs of all time. The opening riff, created by James Hetfield, is iconic in its aggression and precision. Kirk Hammett’s guitar solos are equally impressive, showcasing his technical skill and melodic phrasing. “Master of Puppets” is a thrash metal masterpiece and a showcase of Metallica’s guitar dominance.
28. Queen – “Brighton Rock”
Given Freddie Mercury’s powerful vocals, Brian May’s guitar work in Queen might be overlooked by some. However, his impact is undeniable, especially on songs like “Brighton Rock.” The track showcases May’s full range of hard rock guitar playing, leading into one of the best guitar solos in history. May’s guitar solo in “Brighton Rock” is a multi-layered, harmonized extravaganza. It’s a showcase of his unique guitar tone, his melodic phrasing, and his innovative use of multi-tracking. It’s a highlight of Queen’s catalog and a testament to May’s guitar genius.
27. The Stooges – “I Wanna Be Your Dog”
“I Wanna Be Your Dog” by The Stooges might be labeled garage rock, but it’s as terrifying and raw as any heavy metal song. It’s a landmark example of distortion from guitarist Ron Asheton, pushing the boundaries of sonic aggression. Ron Asheton’s guitar sound on “I Wanna Be Your Dog” is deliberately raw, distorted, and menacing. His simple but powerful riff and chaotic soloing are foundational elements of punk rock and proto-punk. It’s a groundbreaking track for its sonic aggression and its rebellious spirit.
26. Neil Young – “Like a Hurricane”
“Like a Hurricane” isn’t one of Neil Young’s most technically complex guitar tracks. But it’s a signature performance. For much of the song, Young’s playing seems almost on the verge of falling apart. But that seemingly lazy style is hypnotic, and his solo is a riveting vehicle of distortion. Young’s guitar playing on “Like a Hurricane” is characterized by its raw emotion, its use of feedback, and its seemingly improvisational nature. His solo is both chaotic and melodic, capturing the song’s melancholic and epic mood.
25. B.B. King – “The Thrill is Gone”
“The Thrill is Gone” is B.B. King’s signature song and a step up from his raw, early style. Its arrangement is more complex than his previous work. Yet, King keeps his guitar as the central focus, and every note is perfect. It’s a moving piece of blues perfection. B.B. King’s guitar playing on “The Thrill is Gone” is a masterclass in blues phrasing and tone. His vibrato is legendary, and his ability to convey emotion through his guitar is unparalleled. It’s a timeless blues classic and a testament to King’s status as a blues icon.
24. Dire Straits – “Sultans of Swing”
Believe it or not, Mark Knopfler initially disliked “Sultans of Swing.” It wasn’t until he played it on a new Stratocaster that he warmed up to it. The rest, as they say, is history. Knopfler delivers precise guitar parts and an amazing solo with apparent ease. Mark Knopfler’s guitar playing on “Sultans of Swing” is characterized by his fingerstyle technique, his clean tone, and his intricate and melodic phrasing. His solo is a masterclass in blues-rock guitar playing, showcasing his virtuosity and his ability to create memorable and lyrical guitar lines.
23. Guns N’ Roses – “Sweet Child O’ Mine”
When you think of “guitar track,” few songs come to mind quicker than “Sweet Child O’ Mine.” The riff is unmistakable, as is Slash’s beautiful solo. Interestingly, it all started with Slash just joking around. But others in the band recognized the magic being created. Slash’s intro riff to “Sweet Child O’ Mine” is one of the most iconic guitar riffs in rock history. His solo is equally memorable, melodic, and full of emotion. The song is a testament to the power of a great riff and a great solo, and Slash’s guitar playing is central to its enduring appeal.
22. Nirvana – “Smells Like Teen Spirit”
It’s not easy to create a pop song that rocks so hard. The opening chords of Nirvana’s game-changer are what grab you initially. But what makes “Smells Like Teen Spirit” the ultimate guitar song of the 1990s is Kurt Cobain’s soaring solo. Kurt Cobain’s guitar playing on “Smells Like Teen Spirit” is raw, distorted, and deliberately unconventional. His solo is not about technical virtuosity but about raw emotion and energy. It perfectly captures the angst and rebellion of the grunge movement and the song’s iconic status.
21. Pink Floyd – “Time”
From beginning to end, “Time” is a perfect piece of music, allowing each member of Pink Floyd to shine on their masterpiece album, “The Dark Side of the Moon.” But David Gilmour’s blues-infused guitar solo midway through is truly earth-shattering. David Gilmour’s guitar solo in “Time” is a highlight of “The Dark Side of the Moon” and a masterpiece of blues-rock guitar playing. His tone is warm and sustained, his phrasing is lyrical and emotive, and his solo builds to a powerful and unforgettable climax.
20. The Jimi Hendrix Experience – “Little Wing”
Jimi Hendrix’s R&B influences, particularly Curtis Mayfield, are evident in one of his most soulful tracks, “Little Wing.” The memorable guitar solo was famously fed through an 8-inch speaker that was being rotated. Hendrix’s guitar playing on “Little Wing” is delicate, soulful, and incredibly nuanced. His use of effects and his innovative recording techniques create a shimmering and otherworldly soundscape. “Little Wing” is a testament to Hendrix’s versatility and his ability to blend rock with soul and R&B influences.
19. Led Zeppelin – “Heartbreaker”
Everything about “Heartbreaker” is Jimmy Page at his finest. But the unaccompanied solo is what pushes the song over the top. Page himself once stated that the solo was recorded after the song was completed – an afterthought done using the pull-off technique on the guitar. Jimmy Page’s guitar solo in “Heartbreaker” is a raw and energetic display of blues-rock virtuosity. His unaccompanied solo section is groundbreaking for its time and showcases his innovative techniques and his improvisational skills. “Heartbreaker” is a testament to Page’s guitar genius and Led Zeppelin’s raw power.
18. Deep Purple – “Highway Star”
Deep Purple’s “Machine Head” album is one of the most important albums in guitar playing history. One of its standouts, “Highway Star,” draws influence from classical music. Ritchie Blackmore’s style and epic solos served as a foundation for the development of heavy metal. “Highway Star” is Blackmore at his absolute best. Ritchie Blackmore’s guitar playing on “Highway Star” is virtuosic, neoclassical-influenced, and full of energy. His solos are fast, melodic, and technically dazzling, setting a new standard for rock guitar virtuosity and influencing generations of metal guitarists.
17. Lynyrd Skynyrd – “Free Bird”
The original guitar solo for “Free Bird” was played by Allen Collins. It was iconic from the start. But Skynyrd’s evolving lineup later featured a three-guitar attack, transforming “Free Bird’s” ending into a dual solo that became a must-see live spectacle. “Free Bird” is famous for its extended guitar solos, originally featuring Allen Collins’ iconic playing. Later live versions showcased a dual guitar solo, becoming a signature part of their performances. The solos are melodic, soaring, and emotionally resonant, making “Free Bird” a Southern rock anthem and a guitar showcase.
16. The Who – “My Generation”
“My Generation” wasn’t The Who’s first single, but it’s the one that changed everything. Pete Townshend, a true guitar wizard, is at work here. The basic instrumental is built around a single guitar part, giving Townshend space to layer additional parts and add serious feedback. Pete Townshend’s guitar playing on “My Generation” is raw, energetic, and innovative. His use of feedback and power chords, combined with his aggressive strumming style, created a revolutionary sound for its time. “My Generation” is a landmark track in the history of rock guitar and a testament to Townshend’s guitar genius.
15. Stevie Ray Vaughan and Double Trouble – “Texas Flood”
Initially, it seems Stevie Ray Vaughan’s cover of Larry Davis’ “Texas Flood” will be close to the original. But that changes when Vaughan channels Albert King with improvised solos that instantly demonstrated his once-in-a-lifetime talent. Stevie Ray Vaughan’s rendition of “Texas Flood” is a powerful and electrifying display of his blues guitar mastery. His improvised solos are full of emotion, virtuosity, and his signature Stratocaster tone. It’s a tribute to Larry Davis’ original, but Vaughan makes it entirely his own, showcasing his unique and groundbreaking blues guitar style.
14. The Eagles – “Hotel California”
“Hotel California” might feature the greatest guitar team-up in music history. It reflects Joe Walsh’s influence on the band, but Don Felder delivers the primary guitar part. When they come together for the dual guitar solo at the end, musical magic happens. The dual guitar solo at the end of “Hotel California,” featuring Don Felder and Joe Walsh, is one of the most iconic guitar moments in rock history. Their harmonized lines are melodic, soaring, and perfectly crafted. It’s a testament to their guitar chemistry and the song’s enduring appeal.
13. Led Zeppelin – “Whole Lotta Love”
The riff in “Whole Lotta Love” is perhaps the coolest guitar riff of all time and the starting point for arguably Led Zeppelin’s greatest song. Jimmy Page could play incredible solos, but the brilliance of “Whole Lotta Love” lies in his ability to build an entire song around a pitch-perfect riff. Jimmy Page’s riff for “Whole Lotta Love” is indeed one of the most iconic and influential guitar riffs in rock history. It’s raw, bluesy, and undeniably powerful, driving the song forward with its infectious groove. “Whole Lotta Love” is a testament to Page’s riff-writing genius and Led Zeppelin’s raw power.
12. Rolling Stones – “(I Can’t Get No) Satisfaction”
Keith Richards never intended his three-note guitar sound in “Satisfaction” to become one of the most recognized sounds in rock history. It was initially a placeholder for horns. But the rest of the band decided they liked Richards’ guitar part just fine. Keith Richards’ guitar riff for “(I Can’t Get No) Satisfaction” is another iconic and instantly recognizable riff in rock history. Its simple, raw, and distorted sound captured the rebellious spirit of the 1960s. It’s a testament to the power of simplicity in guitar playing and the Rolling Stones’ raw and bluesy sound.
11. Deep Purple – “Smoke on the Water”
“Smoke on the Water” boasts one of the most recognized guitar riffs in music history. Ritchie Blackmore tapped into the blues for the song’s central sound. It seems almost too simple and perfect. But that was Blackmore’s genius, and he had as much influence on early heavy metal as anyone. Ritchie Blackmore’s riff for “Smoke on the Water” is arguably the most recognizable guitar riff in music history. Its simple, bluesy, and powerful sound is instantly identifiable. It’s a testament to Blackmore’s riff-writing genius and Deep Purple’s influence on the development of heavy metal.
10. Metallica – “One”
The guitar intro to “One” comes from James Hetfield. But from that point on, it’s the Kirk Hammett show. The opening solo is just a taste of what’s to come. “One” is unrelenting yet beautiful, reaching its peak during Hammett’s second solo, featuring some of the most intricate guitar work you’ll ever hear. Kirk Hammett’s guitar solos in “One” are a highlight of Metallica’s catalog and a masterclass in thrash metal guitar playing. His solos are fast, technical, melodic, and emotionally resonant, perfectly complementing the song’s dark and powerful themes.
9. The Kinks – “You Really Got Me”
The guitar sounds of hard rock begin with The Kinks’ power chords on “You Really Got Me.” Dave Davies’ solo was so good that rumors circulated for years that session player Jimmy Page actually performed it. However, Davies deserves full credit for changing the sound of rock and roll. Dave Davies’ guitar sound on “You Really Got Me,” achieved by slashing his amplifier speaker cone, is a revolutionary moment in rock guitar history. His distorted power chords and raw, energetic solo are considered foundational elements of hard rock and heavy metal. “You Really Got Me” is a testament to Davies’ guitar innovation and The Kinks’ influence.
8. The Jimi Hendrix Experience – “All Along the Watchtower”
You know you’ve created a special cover song when you’ve essentially erased the original from memory. Hendrix retains the acoustic backbone of Bob Dylan’s version. But Hendrix recorded four distinct solo sections separately. It’s like getting four of the greatest guitar solos in history in one song. And in essence, that’s exactly what it is. Jimi Hendrix’s cover of “All Along the Watchtower” transforms Bob Dylan’s folk song into a psychedelic rock masterpiece. Hendrix’s guitar playing is innovative, dynamic, and full of surprises. His multiple solo sections are each distinct and brilliant, showcasing his unparalleled improvisational skills and sonic imagination.
7. Led Zeppelin – “Stairway to Heaven”
Considered by many to be the greatest rock song of all time, you might have grown tired of “Stairway to Heaven” at some point. But revisit it. The song’s themes, coupled with Robert Plant’s vocals, are captivating. And Jimmy Page’s guitar solo is hard to argue against as the greatest in music history. It’s undeniably cinematic in its grandeur. Jimmy Page’s guitar solo in “Stairway to Heaven” is often cited as the greatest rock guitar solo of all time, and for good reason. It’s a masterclass in dynamics, melody, and emotional expression. The solo builds gradually, reaching a soaring and unforgettable climax, perfectly complementing the song’s epic scope and lyrical themes.
6. Cream – “Crossroads”
You could argue that Derek and the Dominos’ “Layla” is Eric Clapton’s greatest guitar achievement. But that band isn’t in the Rock Hall. So for this list, we celebrate Cream’s exceptional “Crossroads.” The song is a reworking of Robert Johnson’s “Cross Road Blues,” pushing Clapton, a blues purist, slightly outside his comfort zone into harder-hitting rock. Eric Clapton’s guitar playing on Cream’s “Crossroads” is a fiery and virtuosic display of blues-rock guitar. His improvisational soloing is energetic, technically impressive, and full of bluesy phrasing. “Crossroads” is a testament to Clapton’s blues roots and his ability to push the boundaries of the genre within a rock context.
5. Van Halen – “Eruption”
“Eruption” might be the greatest display of pure technical guitar playing in music history. Eddie Van Halen delivers a masterclass that is both indulgent and mesmerizing. The instrumental serves as a lead-in to Van Halen’s cover of “You Really Got Me” on their debut album. But “Eruption” is what fans and guitar enthusiasts truly latched onto. No one had ever heard anything quite like it. Eddie Van Halen’s “Eruption” is a revolutionary instrumental guitar piece that redefined guitar playing. His use of tapping, dive bombs, and other innovative techniques was groundbreaking for its time. “Eruption” is a showcase of Van Halen’s unparalleled virtuosity and his impact on modern guitar playing.
4. The Beatles – “While My Guitar Gently Weeps”
George Harrison wrote “While My Guitar Gently Weeps.” But he didn’t play the track’s legendary solo. That honor went to Eric Clapton, whom Harrison invited to play on the song. Clapton’s overdubbed guitar work gave the track its final, memorable touches. Eric Clapton’s guitar solo on The Beatles’ “While My Guitar Gently Weeps” is a guest appearance that became legendary. His bluesy and emotionally resonant solo perfectly complements Harrison’s songwriting and the song’s melancholic mood. It’s a testament to the power of collaboration and Clapton’s ability to enhance even the greatest songs.
3. Pink Floyd – “Comfortably Numb”
When David Gilmour’s guitar enters on “Comfortably Numb,” it’s an eruption of sound. But it’s in the closing section where he reaches a rare stratosphere that few guitarists have ever touched. It’s the kind of ending you wish would never end. David Gilmour’s guitar solos in “Comfortably Numb,” especially the closing solo, are considered among the greatest guitar solos of all time. His tone is warm, sustained, and emotionally charged. His phrasing is lyrical and expressive, and his solos build to a breathtaking and unforgettable climax.
2. Chuck Berry – “Johnny B. Goode”
When you think of modern rock and roll, you immediately think of “Johnny B. Goode.” Chuck Berry’s trademark song is the blueprint for what was to come. While not entirely original, borrowing from Louis Jordan’s “Ain’t That Just Like a Woman,” Berry added his own special touches on the song’s solos, creating the danceable and awe-inspiring track that took America by storm. Chuck Berry’s “Johnny B. Goode” is the quintessential rock and roll guitar song. His energetic playing, signature double-stops, and infectious rhythm guitar style are foundational to rock and roll. “Johnny B. Goode” is a blueprint for countless rock songs and a testament to Berry’s pioneering role in shaping the genre.
1. The Jimi Hendrix Experience – “Voodoo Child (Slight Return)”
The power of Jimi Hendrix’s “Voodoo Child (Slight Return)” lies in its sheer swagger. Developed spontaneously during a documentary filming session, the song radiates a god-like power. While playing it won’t make you Jimi Hendrix, you can’t help but feel a touch of that magic. “Voodoo Child (Slight Return)” is Jimi Hendrix at his absolute peak, a spontaneous explosion of guitar genius. His wah-drenched guitar riff, his raw and improvisational soloing, and the song’s overall energy are simply unparalleled. “Voodoo Child (Slight Return)” is the ultimate showcase of Hendrix’s revolutionary guitar style and his status as the greatest guitarist of all time, making it our pick for the number one great guitar song.
