The question of volume often arises when discussing Dobro Guitars, especially when comparing vintage models to their contemporary counterparts. It’s a common observation that older OMI Dobro guitars might not project sound with the same intensity as some modern resonator guitars. This difference isn’t simply a matter of perception; several factors contribute to the volume output of a dobro guitar.
One key aspect is the traditional soundwell design found in many OMI Dobros. While this design contributes to the instrument’s characteristic tone, it can also limit its overall volume compared to more contemporary designs. Another significant factor is the body size of the guitar itself. A larger body can generally produce more volume, and some modern resonator guitars are built with larger bodies than traditional Dobros. Beyond these elements, internal construction details, such as sound posts and bracing, also play a crucial role in determining the volume and projection of a resonator guitar. Luthiers specializing in resonator instruments can offer even deeper insights into these intricate aspects of design and construction.
It’s important to note that achieving comparable volume from a traditional Dobro often requires a more assertive playing style. Players may need to “work” the instrument harder to reach the same volume levels as they might effortlessly achieve with a modern, louder guitar. The experience of one player comparing their early 1930s Dobro to a 2004 Clinesmith guitar highlights this point. While the vintage Dobro possessed a sweet, classic tone, the modern Clinesmith offered greater ease of playing, increased volume, longer sustain, and enhanced bass response, attributed to its bass baffle design. It’s worth recalling that when the Dopyera family returned to guitar making in 1971 under the OMI name in Southern California, their instruments largely adhered to the blueprints of their pre-war designs, maintaining that traditional approach.
The volume output of a guitar can also indirectly influence string life. Players who struggle to achieve sufficient volume may naturally pick harder, regardless of the instrument. This aggressive picking style can contribute to strings wearing out more quickly. However, modern resonator guitar designs, often engineered for greater volume, can potentially allow players to achieve the desired loudness with less forceful picking, potentially extending string longevity. Despite this, many dedicated players who prioritize a powerful sound will change their strings frequently, sometimes after just a couple of gigs, to maintain peak performance. Ultimately, picking style and personal preference play significant roles in both volume and string wear.
The quest for louder and more responsive resonator guitars has driven innovation within the luthier community. Tim Scheerhorn stands out as a prime example of this pursuit. Becoming highly sought after for his instruments, Scheerhorn’s journey began in the 1980s out of a common frustration among Dobro players. As a weekend musician himself, playing a Dobro in bluegrass jams, he found himself struggling to be heard amongst louder instruments like banjos. With an engineer’s mindset from his profession at Steelcase, Scheerhorn embarked on a mission to design and build resonator guitars with enhanced volume and projection. This passion evolved into a full-time business, and Scheerhorn became renowned for his innovative approach to resonator guitar construction.
His instruments gained rapid acclaim, with notable players like Jerry Douglas recognizing their exceptional qualities early on. An anecdote from a bluegrass festival in Northern California in the early 1990s illustrates this. The encounter with Jerry Douglas showcasing his first Scheerhorn guitar left a lasting impression, highlighting the instrument’s impressive sound and craftsmanship. While Scheerhorn’s guitars were more accessible in price at the time, they have since become highly valuable, reflecting their quality and the demand from discerning musicians.
In conclusion, the volume of a Dobro guitar is a multifaceted issue influenced by design, construction, and playing style. While traditional OMI Dobros possess a unique and cherished tone, modern resonator guitars often offer greater volume and ease of play due to design advancements. Ultimately, the “best” choice depends on a player’s individual needs and preferences, considering factors like desired volume, playing style, and tonal goals.
