The Latin Side of McCoy Tyner album cover by Conrad Herwig. This jazz album reimagines McCoy Tyner's compositions in a vibrant Latin jazz style.
The Latin Side of McCoy Tyner album cover by Conrad Herwig. This jazz album reimagines McCoy Tyner's compositions in a vibrant Latin jazz style.

Conrad Herwig’s “The Latin Side of McCoy Tyner”: A Vibrant Jazz Reimagining

When the concept of “The Latin Side of McCoy Tyner” surfaces, it might initially raise eyebrows. McCoy Tyner, after all, stands as a titan of modal jazz, a groundbreaking approach to harmony and improvisation championed by George Russell’s Lydian Chromatic Concept. Tyner himself explored the depths of Lydian modes and chordal variations more profoundly than perhaps any other.

While Tyner’s affinity for Latin rhythms isn’t entirely uncharted territory – pieces like Latino Suite and Juanita hint at this connection – trombonist and arranger Conrad Herwig’s album, The Latin Side of McCoy Tyner, delves into this territory with remarkable depth and ingenuity. Herwig, a seasoned veteran with an impressive track record, is perfectly positioned to unpack these musical angles. His credentials speak volumes, particularly his long-standing involvement with the Mingus Big Band, where he’s served as musical director and arranger, contributing to their GRAMMY-winning album Live at the Jazz Standard.

The Latin Side of McCoy Tyner album cover by Conrad Herwig. This jazz album reimagines McCoy Tyner's compositions in a vibrant Latin jazz style.The Latin Side of McCoy Tyner album cover by Conrad Herwig. This jazz album reimagines McCoy Tyner's compositions in a vibrant Latin jazz style.

This album, transforming Tyner’s compositions into captivating Latin-Jazz standards, marks the seventh installment in Herwig’s acclaimed “Latin Side” series. This series, which began with The Latin Side of John Coltrane, has consistently delivered insightful and energetic reinterpretations of jazz icons. From John Coltrane to Charles Mingus, Herwig has proven his mastery in bridging the worlds of jazz and Latin music.

On The Latin Side of McCoy Tyner, Herwig collaborates closely with pianist and arranger Bill O’Connell, another orchestral writing maestro. Together, they craft arrangements that are not only varied and sensual but also radiate a deep respect for Tyner’s original works. Every phrase on this album reflects Herwig’s genuine passion for Tyner’s musical legacy.

Herwig’s selection of material is particularly noteworthy. Rather than solely focusing on Tyner’s most famous pieces, he judiciously highlights lesser-known gems, offering fresh perspectives on Tyner’s broader catalog. From the album’s powerful opening with African Village, infused with Santeria chants and bàtá drumming by Camilo Molina, to Herwig’s seductive trombone phrasing in Passion Dance and Mellow Minor, and the expansive exploration of Peresina, it’s evident that every musical detail has been meticulously considered.

Herwig’s trombone playing throughout the album is characterized by a relaxed yet masterful ease. Melodic variations unfold naturally, showcasing his rich, human-like tone. His phrasing possesses a lived-in quality, a captivating blend of youthful energy and seasoned experience.

Bill O’Connell’s contributions as a pianist and arranger are, as always, exceptional. His arrangements not only enhance the ensemble’s performance but also challenge the musicians to reach new heights. Adding another layer of brilliance, the legendary Eddie Palmieri makes a special guest appearance on Walk Spirit, Talk Spirit. Palmieri’s spacious arrangement, co-created with Herwig and O’Connell, imbues Tyner’s mystical composition with a unique and captivating energy.

Saxophonist Craig Handy deserves special recognition for seamlessly merging jazz improvisation with the infectious rhythms of the Latin realm. Similarly, trumpeter and flugelhornist Alex Norris shines with both gleaming brilliance and smoky warmth, further enriching the sonic tapestry. The rhythmic foundation, laid by bassist Ruben Rodríguez and drummer Robby Ameen, is absolutely crucial to the success of Latin jazz. They, alongside percussionist Camilo Molina, demonstrate a profound understanding of Herwig’s artistic vision. Each musician performs with authority and inventiveness, suggesting that The Latin Side of McCoy Tyner is yet another triumph in Conrad Herwig’s remarkable musical journey.

Deo Gratis…

Playlist – Conrad Herwig: The Latin Side of McCoy Tyner

Music – 1. African Village; 2. Passion Dance; 3. Four by Five; 4. Walk Spirit, Talk Spirit; 5. Mellow Minor; 6. Search for Peace; 7: Peresina; 8. Fly with the Wind; 9. Blues on the Corner; 10. Reaching Fourth.

Musicians – Conrad Herwig: trombone; Eddie Palmieri: piano [4]; Bill O’Connell: piano [1-3, 5-10]; Craig Handy: tenor saxophone [1, 2, 4 – 7, 9, 10] and baritone saxophone [3, 8]; Alex Norris: trumpet and flugelhorn [6]; Ruben Rodríguez: bass; Robby Ameen: drums; Camilo Molina: conga, bàtá and vocal [1].

Released: 2024
Label: Savant [SCD 2216] [jazzdepot.com]
Runtime: 59:42

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