I’ve embarked on an extensive exploration of Bass Guitar Compressor Pedals, and initially shared my findings on Talkbass.com. The sheer variety available today is astounding, encompassing OTA, FET, VCA, Optical, and even Tube compressors. Truly, there’s a compressor pedal to suit every bassist’s needs and preferences.
My reviews have led to me being recognized as one of the go-to “compressor guys” within the bassist community, which I find incredibly rewarding. Another prominent and arguably more knowledgeable figure in this realm is Cyrus, the mastermind behind OvniFX and the OvniFX Smoothie Compressor. Cyrus is also the creator of Ovnilab.com, arguably the definitive online resource for all things compression – devices, types, and applications. I highly recommend checking out his site for a deep dive into the subject.
One thing is undeniable: bassists and guitarists today are spoiled for choice. The quality of gear currently available is remarkable, and this is especially true in the world of compressor pedals. While compressors share many similarities, their differences are equally significant. Some prioritize transparency, while others impart a distinct sonic color. Some excel at delivering punch and thickness, while others focus on preserving your instrument’s natural dynamics while adding sustain and presence. Many modern compressor pedals incorporate additional tonal shaping features such as side chains, onboard EQ, and dry/wet blend controls. Then you have limiters and “squash” style compressors, each offering unique sonic characteristics.
Through all my testing so far, I haven’t definitively discovered the “holy grail” bass guitar compressor pedal, but I’ve found aspects to appreciate in many. It’s possible I’m destined to be a multi-compressor enthusiast rather than a one-compressor purist. Personally, I tend to steer clear of extreme tone squashing or heavy limiting. My preference leans towards subtle evening out of dynamics and perhaps a touch of added “oomph.” My playing style is rooted in jazz, pop, rock, and worship music, and I have a deep affinity for the bass guitar. I was a long-time user of Diamond compressors, but I’ve come to realize they function more as tone enhancers, and I’m currently seeking a more transparent sound – or so I believe! My aim with these reviews is to maintain utmost transparency and minimize personal bias. My evaluations are based solely on my auditory perception, utilizing various cabinets and basses, ranging from high-output active basses with 9 and 18-volt preamps to a fretless Pedulla Pentabuzz. I sincerely hope you find these reviews helpful in your own quest for the perfect bass guitar compressor pedal.
Please be aware that I do not have any affiliations with or endorsements from any compressor manufacturers.
WHO IS BEHIND THESE REVIEWS?
By day, I navigate the world of digital marketing leadership, and by night, I immerse myself in the world of bass guitar.
Music has been a lifelong passion, and I’ve been playing bass for over 25 years. My musical journey began with piano lessons at the age of 8. In fifth grade, I added the violin to my repertoire, an instrument I still play today. Bass guitar entered the picture in high school when I joined the sidelines of a large marching band production. The rest, as they say, is history. Now, I’m a dedicated gear enthusiast with a particular fondness for high-quality equipment, especially 5-string bass guitars and, of course, compressor pedals. People often compliment my ear for detail, which I believe is invaluable for discerning the subtle nuances of each compressor pedal I review.
During the Michigan summers, I enjoy spending time boating on Lake Michigan and exploring the numerous beautiful inland lakes our state has to offer.
