Aria Bass Guitars, particularly those hailing from Japan in the 1970s and 1980s, have garnered significant attention and appreciation from musicians and collectors alike. Often praised for their exceptional build quality and playability, these instruments represent a golden era of Japanese guitar manufacturing, challenging preconceived notions about budget-friendly instruments. This article delves into the legacy of Aria bass guitars made in Japan, exploring the factors that contribute to their enduring appeal and increasing value in the vintage market.
During the 70s and 80s, Aria, along with other Japanese brands, emerged as a powerhouse in instrument production. Contrary to some beliefs, even Aria’s more affordable lines during this period were crafted in Japan. This commitment to domestic production ensured a level of quality control that often surpassed instruments from other regions in similar price brackets. The misconception of “Jap crap,” prevalent at the time, has been thoroughly debunked by the test of time, with many MIJ (Made in Japan) Aria basses surviving and thriving decades later, showcasing their robust construction and enduring sonic characteristics.
Among the notable Aria bass guitar models are the SB series, including the SB 900 and SB 1000, and the Elite series. The Elite I and II models can be viewed as variations of the SB 900/1000, primarily distinguished by their aesthetic finishes and fret markers. While the SB series typically featured clear finishes to highlight the wood grain, the Elites often sported solid colors like red, white, and blue. Both the SB and Elite basses were designed with neck-through construction, contributing to enhanced sustain and resonance. Players often note a resemblance in feel to the Fender Jazz Bass, making them familiar and comfortable to play. Furthermore, these higher-end models were equipped with gold-plated hardware and active electronics, adding to their premium appeal and tonal versatility. It’s also worth mentioning the SB Black’n’Gold I & II, famously associated with the legendary bassist Cliff Burton, further cementing the SB series’ place in rock and metal history.
The increasing desirability and value of 80s Aria basses in today’s market can be attributed to several key factors. Firstly, the recognition of the exceptional quality of MIJ instruments from the 70s and 80s is paramount. These instruments have proven their durability and tonal excellence over decades. Secondly, artist associations have played a significant role. The SB series, for example, gained popularity with prominent bands like Duran Duran and Spandau Ballet, while the Elite and Black’n’Gold models became synonymous with Cliff Burton and other influential rock and metal musicians of the era. This connection to iconic artists and genres adds a layer of cultural significance and collectibility to these vintage Aria bass guitars.
For those interested in exploring the rich history and diverse range of Aria Pro II and other Matsumoku-built guitars from this period, resources like the Matsumoku website offer invaluable information. Whether you are a seasoned collector, a working musician, or simply someone intrigued by the legacy of Japanese instrument craftsmanship, exploring Aria bass guitars from the 70s and 80s offers a rewarding journey into a period of remarkable quality and innovation in the world of musical instruments.
