Egnater Tourmaster 4100 Guitar Amp Review: Is the Chinese-Made Quality Compromised?

Egnater amplifiers have carved a niche in the guitar amp world, particularly noted for their modular amp designs and collaborations, including modules used in Randall amps. The Tourmaster 4100H guitar amp head emerged as a unique offering, conceived by Bruce Egnater for Guitar Center in the US market. While Egnater boasts a strong reputation in the United States, their presence is less prominent in the UK and Europe. Known for their distinctive tone, often likened to Engl amps in their quality and sonic character, Egnater amps, especially hand-built models, typically come with a premium price tag. This is where the Tourmaster 4100 makes its mark.

The Tourmaster 4100 guitar amp was designed to deliver a versatile and powerful amp at a more accessible price point. One of its standout features is the independent output power selection for each of its four channels. This innovative design allows guitarists to choose between 10, 20, 50, or 100 watts per channel, offering unprecedented control over headroom and tube saturation. Imagine pristine cleans at 100 watts, dialing in crunchy rhythm tones at 50 watts for tube overdrive, and then pushing the lead channels to a sweet, saturated breakup at 20 watts. This level of flexibility makes the Tourmaster 4100 a highly attractive proposition for players seeking tonal versatility.

However, the question arises: how could such a feature-rich amp be offered at a more affordable price? The answer lies in Egnater’s strategic partnership with a Chinese amplifier manufacturer. This collaboration allowed for production efficiencies that bring the Tourmaster 4100 to a broader market. The “Made in China” label often raises concerns about quality, but in the case of the Tourmaster 4100, initial skepticism is quickly dispelled. This amplifier is built like a tank. Its substantial weight, exceeding 70 lbs (over 32 kilograms), is immediately noticeable. This heft is largely due to a custom-made toroidal transformer, a key component contributing to the amp’s robust performance. Furthermore, the cabinet construction utilizes high-quality, heavy-duty board, adding to the overall solid feel and durability.

Despite being manufactured overseas, the Egnater Tourmaster 4100 maintains a high standard of quality. At a street price of around $1295 in the USA, and an estimated £1500 in the UK (though distribution in the UK has been limited), this amp offers remarkable value for its features. The four independent channels cater to a wide spectrum of musical styles, and the channel-assignable power output is a rare and highly practical feature unmatched by many other amplifiers in its class. The review unit was equipped with Ruby tubes – 4xEL34 power tubes and 9x12AX7 preamp tubes – a configuration that promises classic tube warmth and responsiveness, and certainly contributes to the amp’s ability to quickly heat up a studio space. The amp also includes a comprehensive footswitch and a detailed user manual, enhancing the user experience.

The crucial question for any guitar amplifier is, of course, its sound. The Egnater Tourmaster 4100 can be described as a sonic chameleon, capable of delivering a vast array of tones across different genres. It exhibits characteristics reminiscent of Marshall’s punch, Mesa/Boogie Rectifier’s aggression, and, naturally, the inherent Egnater sonic DNA. This places the Tourmaster 4100 in a unique sonic territory, not strictly confined to one particular amp lineage. However, the power scaling feature truly elevates its performance. While Mesa/Boogie’s 2:90 power amp offered channel-specific power reduction, the Tourmaster 4100 takes this concept to a new level of versatility, allowing users to sculpt the perfect tube overdrive at various volume levels. This power control is arguably the amp’s most compelling feature, enabling each channel to achieve its optimal tone at bedroom levels or stadium volumes.

From a personal perspective, while the reviewer acknowledges being accustomed to other high-end amplifiers, the Egnater Tourmaster 4100 was eventually sold. This decision was not driven by any flaws in build quality or reliability, nor by a lack of unique features. The reason cited was a subjective “no man’s land” voicing, a feeling that the amp, despite its versatility, didn’t quite align with the reviewer’s specific tonal preferences. This highlights the inherently subjective nature of guitar amp sound – what might not be ideal for one player could be perfect for another.

Objectively, the Egnater Tourmaster 4100 is a well-built and feature-rich amplifier. It earns a solid rating of 7 out of 10, with the sound being the primary factor preventing a higher score. The build quality is described as impeccable and reliable, and the variable power feature is lauded as outstanding. The amp also offers easy tube biasing and a rugged design, further enhancing its appeal. The price point is considered excellent for the features and quality offered. However, the subjective “not ‘that’ sound” comment underscores that tonal preference is a personal matter.

A final word of caution: the Egnater Tourmaster 4100 is exceptionally heavy. Guitarists with back issues or those sensitive to heavy gear should be mindful of its weight. Despite the lack of a video review, the Tourmaster 4100 stands as a testament to the potential of overseas manufacturing to deliver high-quality, feature-rich guitar amplifiers. While the original Egnater website, egnater.com, appears to be offline as of 2024, the legacy of the Tourmaster 4100 as a versatile and well-built amplifier remains.

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© A B Mckenzie 2007-2021. All Rights Reserved.

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