The categorization of musical instruments, particularly within the realm of stringed instruments, can often feel like opening a can of worms. Terms like cittern, octave mandolin, and bouzouki are frequently used, sometimes interchangeably, leading to confusion among players and enthusiasts alike. While some prefer to adhere to strict definitions, the reality is that these instruments exist on a continuum, constantly evolving through the innovations of makers and the preferences of musicians.
Many players, when describing instruments that fall within this spectrum, rely on a kind of intuitive shorthand. However, the lack of universally accepted definitions raises the question of whether such rigid classifications are even necessary. Consider instruments that blend features: a 10-string instrument with a 65cm scale and an onion-shaped body, for example. Is it a 10-string bouzouki or a long-scale cittern? Perhaps it occupies a space in between, defying easy categorization.
The renowned instrument maker Sobell has created 12-string instruments that, based on their body shape and construction, lean towards the cittern family. Yet, they also venture closer to the guitar end of this instrumental spectrum. Ultimately, the most crucial aspect of any instrument is its ability to deliver the sound and playability that a musician desires. If an instrument fulfills this purpose, perhaps the intricacies of naming conventions become secondary. In the end, the best name for an instrument might simply be the one that resonates with its player – perhaps even something as simple and personal as “Fred.”
