When diving into the world of Flying V guitars, two names immediately surface: Jackson and Gibson. Both brands offer distinct takes on this iconic shape, catering to different player preferences and musical styles. Understanding the nuances between a Jackson Flying V Guitar and a Gibson Flying V is crucial for making the right choice. Let’s explore the key differences that set these instruments apart.
Jackson Flying V guitars, particularly the more affordable models, are often manufactured overseas and feature bolt-on necks. This construction method contributes to their characteristic bright and snappy tone, favored by many modern players. In contrast, Gibson Flying V guitars, across various price points, boast set necks and are typically produced in the USA. Even the more budget-friendly Gibson Faded V incorporates a set neck, a hallmark of traditional Gibson construction.
Price is a significant differentiator. You can find a Gibson Faded V around the $600 mark, offering an entry point into the Gibson Flying V experience. Stepping up, Gibson’s standard ’67 V or Natural Limited Edition V models typically range around $1000 and upwards. Jackson, however, doesn’t quite compete in this specific price bracket with a comparable offering in terms of build and features. To experience the high-end of Jackson Flying V guitars, you’d be looking at their USA-made models, which start at approximately $1600 and represent a significant investment.
In terms of build quality and setup right out of the box, a USA Jackson Flying V guitar generally excels. Known for their meticulous craftsmanship, these guitars are often praised for their flawless setups. Gibson guitars, while also capable of being exceptional, can sometimes be more variable. While many Gibson Vs are fantastic straight out of the case, some might require minor adjustments to achieve optimal playability. However, personal experiences often vary, and many players find their Gibson Vs to be perfectly gig-ready from the start.
Playability is where the distinct personalities of Jackson and Gibson Flying V guitars truly shine. Jackson Flying Vs, designed with shredding in mind, typically feature larger frets and flatter neck profiles, facilitating fast and technical playing styles. Gibson Flying Vs, while also capable of shredding, often have a slightly rounder neck profile and medium-jumbo frets, offering a more vintage and comfortable feel for many players. The scale length and neck shape also contribute to a different overall feel between the two brands. Gibson Vs tend to be slightly easier to play for some due to these ergonomic nuances, although personal preference plays a major role.
Tonally, Jackson and Gibson Flying V guitars occupy different territories. Gibson is renowned for its warm, thick, and resonant tone, often associated with classic rock and blues. Jackson guitars, particularly those with humbuckers, deliver a more aggressive, articulate, and modern tone, ideal for metal and high-gain genres. While both can handle various styles, the core tonal character differs significantly.
A practical advantage of many Jackson Flying V guitars, especially those aimed at the shredder market, is the inclusion of a Floyd Rose tremolo system. This locking tremolo system provides exceptional tuning stability, even with extreme whammy bar use, a feature highly valued by players who incorporate dive bombs and vibrato into their playing. Gibson Flying Vs traditionally utilize fixed bridges, prioritizing sustain and tuning stability in a more traditional manner.
For players seeking an affordable entry into the Flying V world with classic Gibson tone, the Gibson Faded V presents an outstanding value proposition. Ultimately, the choice between a Jackson Flying V guitar and a Gibson Flying V boils down to personal preference, playing style, and tonal goals. Both are exceptional instruments, each with its own strengths and character. The best approach is to play both types to experience firsthand which V best suits your needs and musical voice. They are truly different beasts, each excelling in its own domain.